Absurd Baltimore bridge-collapse conspiracy theories are here…and censoring them is still a bad idea.

When I gave the lecture described in the previous post, one of the challenges I left the students with was to always keep their eyes on the headlines and whether or not any time a major story breaks a conspiracy theory comes sprouting up around it. I didn’t want to make it a bet that a conspiracy theory would follow any such a headline because anyone betting against me would have had no chance of winning. 

Well, here we are and I am, if I must brag, right again. The accident that caused the collapse of the Francis Scott Key Bridge in Baltimore on March 26 almost immediately birthed a whole slew of conspiracy theories. This article and this one right here give a good overview of some of the big ones. They range from a controlled demolition of the bridge all the way to theories about the ship that struck the bridge having been hacked, the incident orchestrated by Ukrainians, and a predictive programming conspiracy based on a Netflix film produced by the Obamas. None of these theories have an iota of evidence to suggest they are true, and some of them are so ridiculous as to not be worth anyone’s time trying to debunk them. For example, arguing against a predictive programming conspiracy theory is a lot like arguing with flat Earth believers: no matter the amount of testable, empirical evidence they are presented will change their minds. If anything, it will lead them down that deranged logical canard that says the fact that anyone attempting to counter their foolishness is a proof of its truth because no one would argue against if it was false…or something like that. For another apt comparison, trying to persuade the adherents of the flat Earth theory or a predictive programming theory is akin to trying to teach a pig to sing. All the exercise accomplishes wasting your time and annoying the pig.

 

Moreover, if the collapse of the bridge was some kind of a conspiracy, the people masterminding it would be some of the dumbest conspirators on the Illuminati New World Order roster. I mean why would they want to wreck the bridge in the middle of the night? If I would be planning to destroy the bridge, I would do it in the middle of rush hour to make sure I can notch as high a body count as possible.

 

The impact of this kind of a conspiracy culture on greater society is a malignant destruction of all consensus reality for too many people. In the past, Americans might have disagreed and debated—often heatedly—about how best to run the country, how best to respond to events and crises, but at least we all lived in the same world. We all saw reality the same way, although we might have disagreed about the best way to live in it and deal with it. That, unfortunately, is no longer the case. Conspiracism has encouraged all people to make up their own facts, their own reality. It has encouraged them to write their own definition of what a “fact” is and what “evidence” is required to prove facts. Such a world is highly unstable and dangerous.

 

And another major problem is that this unstable, post-fact world is prompting many to support drastic measures like the censorship of public communication and the silencing of debate and dissent. They react to the anarchic chaos of conspiracy world by supporting the proposal of government-led misinformation directorates. They have been proposed almost from the moment Joe Biden was elected president. Moreover, the administration’s efforts to pressure social media platforms to restrict debates on issues like the origins of Covid, the effectiveness of vaccines, and the destructive economic, mental health, and social effects of the lockdown is met by a shrug by the general population. But, of course, why should anyone pay attention to warnings of government overreach, the erosion of privacy and the rise of an authoritarian surveillance state when the people who issue those warnings have also been propagating conspiracy theories about the New World Order blowing up bridges, putting microchips into vaccines, and spraying mindcontrol chemicals into the atmosphere through chemtrails released from airliners?

On skepticism, questioning authority and conspiracy theories

Last week one of my colleagues at Saint Peter’s University invited me to give a guest lecture in a class aboutmedia literacy, discussing conspiracy theories, how to define them, how they manifest in our culture, how they are both reflected by and shared by popular entertainment, and how they are amplified and spread by social media. I'm pictured about to start the lecture. It was a great opportunity to discuss this with students since I had written a book about the topic and teach a course on it. And it was great hearing that this same professor also uses the critical examination of conspiracy theories as a tool for various exercises in several of his classes, as do I. 

Discussions like this should always start with a precise definition of what we mean by “conspiracy theory,” what the term “conspiracy” means in a strict legal sense, and how it differs from those outlandish, rococo speculations of grand cabals and shadow organizations of blood-drinking cultists and Satanists. As far as the law is concerned, a “conspiracy” is any instance of two or more people colluding to commit a crime. Gangs and organized crime cartels are conspiracies in the legal sense of the word. Films like the “Godfather” trilogy and “Goodfellas,” or TV shows like “The Sopranos” are crime films, not conspiracy theory films. Films like “The DaVinci Code” and its sequels, TV shows like “The X-Files” or the plethora of Roswell crash and UFO cover-up entertainment, however, fall into the “conspiracy” theory category.

 

Conspiracy theories, as a whole, are claims about secret organizations of such immense power and control as to be able to create a false consciousness in an entire global population, organizations of such reach and influence as to be able to start wars at will, manipulate economies, and construct fictions like mass shootings in the mainstream media every day. Conspiracy theories, in short, refer to grand plots to run everything according to some unified grand scheme…and plots that have absolutely zero tangible proof of their existence. For example, we had a little thought exercise pretending to be the New World Order plotting the September 11 attacks on the World Trade Center and concluded how the major conspiracy theories contradicting the U.S. government’s explanations for the events of that day are as absurd as the Moon Landing Hoax conspiracy theories or the chemtrail conspiracy theories.

 

But all this is not to say that an outright denialism of conspiracy theories is all desirable either. As so much of history has proven the old adage, absolute power does corrupt and it corrupts absolutely. The opposite side of a knee-jerk non-belief is when we turn “conspiracy theory” into a thought-stopping cliché, the shutting down of all dissent, debate, and discussion. We saw this with the knee-jerk reactions to the claims that the COVID virus might have escaped from a lab in China. Just a few years ago, if you said something to that effect on social media, you could have been deplatformed and branded a hateful, racist conspiracy theorist. I had written about that issue right here in previous blog posts.

 

So what is the solution to the problem, my colleague and I finally asked. The best that we can do in a free society is to educate in logical, critical thinking, and media literacy. To try and turn out students who will be able to cast a skeptical eye at organizations of authority and power, whether those organizations of power are governments, corporations, or collections of charlatans spreading malicious lies about fake mass shootings, Satanic cults hiding under pizza parlors, COVID being spread by chemtrails and activated by 5G towers run by the cabal that assassinated JFK from the grassy knoll and fluoridated the drinking water.

With our focus on such pedagogy, we can only hope that no Saint Peter's student will every walk away from our school listening to Alex Jones, thinking that Oliver Stone's film "JFK" was an accurate dramatization of the assassination, for fall for any the nonsensical fantasies spread on conspiracist webpages and social media.

A deep dive into metaphor in mother! on CineVerse

So, you’re interested in a lavish art-house film with some top-tier talent, did you say? Well, check out one of our recent discussions of Darren Aronofsky’s “mother!” on CineVerse right here. 

As our moderator, Erik Martin writes, “In 2017, Darren Aronofsky opened a disturbing Pandora’s box he called “mother!,” a psychological and surreal horror film that delves into the life of a young woman (Jennifer Lawrence), residing with her husband (Javier Bardem) in a rural and secluded mansion. Their peaceful existence takes a tumultuous turn when an enigmatic couple, embodied by Ed Harris and Michelle Pfeiffer, unexpectedly enters their lives. As tensions mount and the intrusive behavior of the visitors escalates, the woman's once-serene life descends into chaos. Complementing the leads are memorable supporting performances from Domhnall Gleeson, Brian Gleeson, and Kristen Wiig. 

The movie's provocative and polarizing nature has further contributed to its enduring reputation. While some viewers admire its audaciousness and thematic complexity, others find it polarizing, viewing it as either pretentious or disturbing.

It Happened One Night on CineVerse

They don’t make movie stars the way they used to, and if you want to see one the greatest, check out any of Clark Gable’s films. You’ll see why they used to call him the King of Hollywood. While today people will immediately think of him as Rhett Butler in “Gone With the Wind,” two of my favorite Gable films are “It Happened One Night” and “Red Dust.” So, it just happens that you can check out our CineVerse discussion of “It Happened One Night” right here.

 

As CineVerse moderator Erik Martin writes, They don’t come much more timeless or beloved than It Happened One Night, directed by Frank Capra, produced by Harry Cohn for Columbia Pictures, and released in 1934—90 years ago this week. The film follows the escapades of Ellie Andrews, a wealthy socialite portrayed by Claudette Colbert, who flees from her domineering father to elope with a fortune-seeking playboy. Along her journey, she encounters Peter Warne, a recently fired newspaper journalist played by Clark Gable. Recognizing Ellie, Peter offers assistance in exchange for an exclusive story, leading to a mismatched duo embarking on a cross-country adventure filled with comedic mishaps and burgeoning affection. 

Set against the backdrop of the Great Depression, the film was crafted during a challenging era for Columbia Pictures, a minor studio competing with Hollywood giants like MGM and Paramount. Despite initial reluctance from Capra, who ultimately secured creative control, the production encountered obstacles including budget constraints and artistic disagreements. Nevertheless, It Happened One Night triumphed as both a critical and commercial success. The memorable performances of Colbert and Gable, coupled with their on-screen chemistry and impeccable comedic timing, solidified the film's enduring popularity. 

This picture remains evergreen for delving into topics such as class privilege, socioeconomic disparities, and the universal quest for happiness—messages that particularly struck a chord with audiences of this hardscrabble era. Its examination of these themes, presented with both levity and depth, imbued the film with substance and raised it above the rank of frivolous entertainment expected from a romantic comedy for 1934. 

Ponder that this is likely the best comedy that Gable and Colbert, individually, have ever starred in and quite possibly their finest performances, as evidenced by the fact that It Happened One Night is the only film each ever won an acting Oscar for. Although it was already his 13th directed film in the sound era, It Happened One Night is also the feature that made the world take notice of Capra, his first in a successful run of crowd-pleasing movies that the filmmaker crafted in the 1930s for Columbia. 

 

Exercising "Diplomacy" on CineVerse

If you want to check out another excellent film discussion on CineVerse, click right here! As Erik Martin, the moderator of our discussions writes of this gripping World War II docudrama, "Fair warning: The 2014 film Diplomacy, a French historical drama helmed by director Volker Schlöndorff and adapted from Cyril Gély's play of the same title, is one of those “based loosely on historical events” dramatizations that can infuriate scholars and historians. Nevertheless, even if it fudges the facts, it’s a compelling drama that unfolds against the backdrop of Nazi-occupied Paris in 1944, chronicling the efforts of Swedish diplomat Raoul Nordling, portrayed by André Dussollier, to dissuade General Dietrich von Choltitz—the German military governor of Paris, played by Niels Arestrup—from executing Adolf Hitler's directive to annihilate Paris before the Allies' arrival.

Dussollier and Arestrup deliver arresting performances, infusing their characters with depth and authenticity, while Schlöndorff's direction and the film's cinematography capture the tension and complexities of the narrative, effectively portraying the intricate negotiations and ethical dilemmas faced by the protagonists.