Long Live the Undead!

If you love vampires as much as I do, take a look at the above special edition magazine about the undead on magazine racks everywhere! I am quoted extensively in this issue discussing the history of beliefs in vampires, and how these creatures have been such a fascinating open text for storytellers for perhaps as long as people have been telling scary stories. 

 

The magazine traces the history of vampires from ancient religions and folklore to literature and modern popular culture like films, TV shows, fashions, role-playing games, and even people who live the vampire lifestyle 24/7. From monstrous vampires to sexy vampires, immerse yourself in the world of the undead in this magazine and see why vampires are the most attractive of all supernatural being.

 

In the article “Undead Evolution,” check out my quotes on how even the narrative structure of such out-there conspiracy theories like Pizzagate and QAnon have incorporated the themes and plot structure of Bram Stoker’s “Dracula.” Diabolical elites with enormous wealth at their disposal hunting humans—especially children—for Satanic blood-drinking rites in a far-reaching plot to poison and undermine society sound familiar? Sure, it’s Count Dracula’s evil plan to buy up London real estate and prey on unsuspecting humans. And it’s also at the core of the QAnon mythos with its fantasies of blood-drinking elites in the Deep State and the New World Order running the world and sacrificing abducted children in catacombs under pizza parlors. For over a hundred years, however, no one has ever believed that “Dracula” was anything other than fiction. It’s a strange world we live in, though, when the high foolishness of QAnon has sucked in so many believers. It’s almost like modern conspiracism has become a mind-plague that spreads through the population like a vampire disease.  

The 1974 Conspiracy Classic, "The Parallax View"

Check out this recent episode of Cineverse where we discuss the seminal 1970s conspiracy thriller, director Alan J. Pakula’s The Parallax View, starring Warren Beatty. 

This is a film I discuss extensively in my book, CONSPIRACY FILMS: A TOUR OF DARK PLACES IN THE AMERICAN CONSCIOUS and it’s one of the films regularly screened in my class on the history of conspiracy theories and conspiracy films. As I argue in my book, The Parallax View is one of a small handful it films from the late 1960s and early 70s that established the conspiracy theory film as a distinct genre with its uniques set of archetypes that set it apart from other thrillers, mysteries, and action films. 

 

The narrative follows Joseph Frady, an intrepid reporter (Beatty), as he embarks on an investigation into a series of enigmatic deaths associated with the clandestine Parallax Corporation. Frady's pursuit unveils a perilous network of political intrigue and secrecy.

The Parallax View delves into government corruption, assassination, and the manipulation of public perception. The film benefits from the stylish guidance of Pakula, who adeptly weaves a web of tension and paranoia throughout the story. The cinematography, editing, and skillful use of visual symbolism further contribute to its lasting impact. 

 

As all successful films hold a mirror to their times, reflect the most unsettling freefolating anxieties of the culture that created them, The Parallax View shows us how the JFK, RFK, Martin Luther King assassinations, followed by the Pentagon Papers and Watergate scandals, birthed an era of suspicion and conspiracy theories. Speculations about conspiracies that have been proven nonexistent beyond a shadow of a doubt (JFK, RFK, MLK) and very real instances of corruption and conspiracy (Pentagon Papers, Watergate) birthed an era of justified and healthy suspicion and skepticism in officialdom, institutions of power, and the elites. But, as we see today, the reach of conspiracism is ongoing and often toxic and destructive to a society. Check out The Parallax View and ponder how we can spot that line between healthy suspicion and the poisonous fantasy worlds of Pizzagate and QAnon.

Examine a “Portrait of a Lady on Fire” on CineVerse

If you want to expand your cinematic horizons to acclaimed foreign films, check out this episode of Cineverse and Portrait of a Lady on Fire, a 2019 French film starring Noémie Merlant as painter Marianne and Adèle Haenel as Héloïse, the daughter of a countess who is determined to marry off her reluctant daughter to a wealthy Italian aristocrat and present him with a portrait of his future bride, who refuses to pose for the painting. Set in 18th-century France, this narrative emphasizes a blossoming romance between a female painter and her subject.